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"Unholding" at Artist Space, Soho


Artists of Indigenous heritage have, for many decades in New York City, developed their practices in self-initiated contexts while endeavoring to extend the reach and visibility of their work to broader publics. Even as progressive art discourse celebrated an emergent multicultural outlook in the late 1980s, narratives around Native American art, culture, and experience remained simplified. Inspired by curator and artist Lloyd Oxendine’s American Art Gallery, founded in SoHo in the early 1970s, institutions such as the American Indian Community House (AICH) and American Indian Artists Inc. (AMERINDA) opened urban spaces for Indigenous representation which thrived outside of conventional value systems. Cultural and operational experimentation abounded and the roles of artist, curator, historian and activist were regularly blurred: G. Peter Jemison, whose early paintings were exhibited by Oxendine, served as the first gallery director of the AICH, while Jolene Rickard, whose photographs complicate separations between Native and American iconographies, is an acclaimed curator and a leading scholar in Indigenous visual history. READ MORE HERE

Photo & text: Artist Space Website

Image caption: Adam and Zack Khalil. Still from INAATE/SE/ [it shines a certain way. to a
certain place./it flies. falls./]
, 2016

Earlier Event: November 14
Brancusi at The Guggenheim
Later Event: November 27
David Hockney at Metropolitan Musuem